Why I want a Fake Camera
With all of the buzz and the hype around the pocket video camera revolution I still find my self wanting one of these ‘fake’ cameras. And before you ram me down with belittling comments about my lack of love for this cute little devices I’ll tell you why I call them fake.
I call a real camera a device with semi manual controls, I’m not asking for everything manual – but there is a level of control that is necessary for “real” camera operation. In Why The Flip – I really out lined where I’d love to see these camera go, and with the purchase of Pure Digital by networking giant Cisco – I’m sure they will make some adjustments, but most to its connectivity – not it’s control (I’m sure – but hope that I’m wrong). To save time – please take a look at “Why The Flip“. The two things that I’m looking for any camera to have is manual white balance and real audio inputs; this would be a minimum. I’d love to see manual exposure and audio levels and optical lens controls, but is that asking too much?
Even according to my criteria of what makes a real camera – I still see these devices having a place in the production pipeline; but hopefully not as your only camera. Most of us have done single camera production for far too long have neglected the role of the B (or secondary) camera. A locked off shot for cover or a funky cut-away can really save your production.
This Months Inc. Magazine took a look at four more of these pocket camera – and I’m really leaning toward Kodak’s latest release the Kodak Zx1 HD Pocket Video Camera. Main factors of me choosing that camera – form-factor, real memory card, replaceable (standard) batteries. I really wished that they kept the mirrored button on the front but w/ the new shooting modes and the size a bit smaller I’m sure that it’s going to be what I go with. (more…)